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The Little Theatre of Alexandria, celebrating its 90th anniversary (1934–2024), presents a poignant and racially charged production of Memphis, featuring a standout performance by Kemuel Van Der Puije, COO of the Voice of Africa. Under the direction of Rikki Howie Lacewell, this performance not only reflects the era depicted in the musical but also the theater’s own history during times of segregation. The production’s somber yet hopeful narrative highlights how far we have come in music and theater arts.
Memphis, which won four Tony Awards in 2010, is inspired by the real-life events of DJ Dewey Phillips, who broke racial barriers in the music industry. In the musical, Huey Calhoun, a character based on Phillips, is a disc jockey determined to integrate the airwaves. His love for what the book refers to as “n****r music” and a Black woman was controversial and illegal at the time, but he remains steadfast in his beliefs despite personal risks.
Xander Conte’s portrayal of Huey Calhoun is outstanding, capturing the character’s Southern charm and determination. His duet with Khanner Hancock (Felicia Farrell) in “The Music of My Soul” is a standout moment, delivering a performance that is both powerful and moving.
Notable numbers include “Make Me Stronger” and “Change Don’t Come Easy,” featuring the ensemble in visually striking choir robes. Nikki Arbiter-Murphy’s performance as Mama Gladys Calhoun is particularly impactful, demonstrating the transcendent power of music and lyrics. Increasing the microphone volume in some numbers would enhance the overall effect.
Otega Okurume’s passionate performance as Delray, Felicia’s protective older brother, is compelling. A particularly poignant scene occurs when Felicia is brutally beaten for being with Huey, leading her brother to confront Huey with a readiness to fight.
Kemuel Van Der Puije’s role as Gator is a highlight of the production. His commanding presence and heartfelt rendition of “Say a Prayer” resonated deeply with the audience, capturing the essence of the character and making it one of the most memorable moments of the show.
Properties designer Geoffrey Baskir effectively incorporates historical elements, including giant front pages that depict Huey’s growing popularity and hint at DJ Dewey Phillips’s impact on segregated Memphis. While the Memphis Band performs admirably, some numbers do not match the original Broadway cast recording.
Overall, this production by the Little Theatre of Alexandria is both beautiful and exceptional. It is a testament to how theater can challenge conventions and change perceptions.
Running Time: Two hours and 30 minutes, including a 15-minute intermission.
Memphis runs through August 10, 2024, at The Little Theatre of Alexandria, 600 Wolfe Street, Alexandria, VA. To purchase tickets ($36 + $3 fees), visit their website or contact the Box Office at 703-683-0496 or boxoffice@thelittletheatre.com.
